Broken Hearts Mend but Youre Not My Friend I Never Want to See You Again Lyrics
Album covers from Amazon Music
We all enjoy a celebratory and, dare we say it, slightly sappy beloved song that revels in the beauty of human being connexion. But sometimes the track that actually hits dwelling house is more than somber.
Some of the sad beloved songs in this collection have the capacity to make yous cry, and may fifty-fifty help you lot mend a cleaved heart later on a breakdown. A handful of '90s classics (Whitney Houston'southward "I Will Always Love You," Toni Braxton'south "United nations-Intermission My Heart") and R&B; hits are on the list, equally are sweeter numbers that would be at domicile on a Valentine's Day playlist if y'all're spending the holiday solo. Many sift through the rubble of past relationships (Drake'southward "Marvin's Room," Lauryn Hill'due south "Ex-Factor"), while others are nigh the momentary relief of connexion, even if you know it's non with the right person (Sam Smith'south "Stay With Me," Bonnie Raitt's, "I Tin't Make You Dear Me"). And emotional classics by Joni Mitchell, Carole King, and Fleetwood Mac prove that while sonic manner and songwriting changes over the decades, the raw feeling of heartbreak will always be relatable.
Y'all may be trying to rekindle a smothered spark, dealing with quarantine-related long distance drama, or struggling with keeping your dating life going this wintertime. Whatever's causing you lot strife, nosotros hope you'll find catharsis in one of these sad dearest songs.
1 of 55
"Someone Similar Y'all" by Adele
Adele is the patron saint of powerhouse ballads, and "Someone Similar You" ranks upwards there with her very all-time. Adele's voice tin can soar on top of a 30-piece orchestra, merely here she's accompanied by a simple piano part equally she addresses an ex who has moved on and plant new love.
2 of 55
"Landslide" by Fleetwood Mac
The intra-band romantic drama that fueled Fleetwood Mac's historicRumorsrecord is well documented, simply even before its 1977 release, they were penning love songs that stuck to your ribs. One such track was "Landslide," a gorgeous, lilting showcase for vocalizer Stevie Nicks about how dear, in all its forms, never stays static.
iii of 55
"Death past a Chiliad Cuts" past Taylor Swift
Taylor Swift has mined the details of her own romantic life to nifty success, but onLover'south"Death past a Thousand Cuts" she switched her approach, drawing inspiration from the Netflix rom-comSomeone Corking.
The runway itself is vintage Swift. She fills the twinkling Jack Antonoff product with vivid imagery–haunted clubs, boarded upward windows, and harsh hungover mornings. "Death by a M Cuts" captures the true backwash of a breakdown, and the way the pain comes in small-scale, unexpected means, not necessarily all at once.
4 of 55
"I Will Always Love Y'all" by Whitney Houston
Anytime a song can be distinguished by a unmarried note, you know that it's fabricated an impact. Whitney Houston's encompass of Dolly Parton's "I Will Always Love You," which appeared onThe Bodyguardsoundtrack, is one of the 20th century's defining ballads. Houston kept the methodical pacing of Parton's original, but turned information technology into a simmering slow jam that fit perfectly into the '90s trend of moody, glacial radio hits.
Fifty-fifty when y'all know exactly what the song is building up to, the moment where Houston hits that sky-scraping note on the terminal hook, e'er feels stirring.
5 of 55
"I Can't Brand You Love Me" past Bonnie Raitt
Bonnie Raitt's 1991 heartbreaker "I Can't Make You Honey Me" is considered to exist among the best songs e'er written. Raitt makes the lyrics, written by Mike Reid and Allen Shamblin, admittedly spring off the folio, turning the vocal into a tearjerker most accepting that you tin't change the mode some other person feels inside.
"'Cause I can't brand you dearest me if yous don't / You can't make your heart feel something information technology won't," she sings.
six of 55
"It's Likewise Late" past Carole King
Carole King's landmark 1971 albumTapestryis filled with gorgeous, poignant songs most heartbreak brought to life through Male monarch's vivid lyricism. "It'due south Too Belatedly" was one of the album's virtually popular tracks. It captures the point at the stop of a relationship where there simply isn't much left to say. Both people have tried their all-time, merely it'due south merely non meant to exist.
"There'll be good times again for me and you / Merely we just can't stay together, don't you lot feel it, too," she sings.
seven of 55
"Cuz I Beloved You" by Lizzo
The title track of Lizzo's breakout album sees the multitalented musician indulging her inner diva. From the opening line, she'south belting as powerfully as she ever has, channeling the spirit of Aretha and Whitney. Much of Lizzo'south music explores her own sense of self-worth and independence, but on "Cuz I Dear You" she opens upwardly about what she'll practice for love.
"Got me standing in the rain / Gotta go my hair pressed again / I would practice information technology for you all, my friend," she promises.
8 of 55
"Close to You" past Rihanna
Rihanna's 2016 opusANTIsmartly stripped abroad much of the gloss and glitz of popular superstardom, giving her more than room to emote every bit a vocalist. That produced several powerful tracks ("College," "Dearest on the Brain," "Needed Me"), every bit well as "Close to You lot," a moving piano song nigh a relationship crumbling in slow motion that plays like a sequel to 2012'southward "Stay."
"Nothing just a tear, that's all for breakfast / Watching you pretend you're unaffected," she sings.
ix of 55
"Both Sides Now" by Joni Mitchell
Inspired past Saul Bellow'southwardHenderson the Rain King,Joni Mitchell's "Both Sides At present" is an ode to shifting perspectives and to understanding someone's motivations that were previously conflicting to y'all. As with Mitchell's best music, it'south depicted through gorgeous nature imagery–clouds that look like "ice foam castles," and "affections hair"–and sung in her delicate, lilting cadence.
10 of 55
"I Don't Dearest You Anymore" by ANOHNI
From the climate crisis to the casualties of drone strikes in the Middle Eastward, ANOHNI has a gift for using the style and structure of dance music to tell urgent stories. "I Don't Love You Anymore" is relatively straightforward–even its video is simply a six-minute shot of the vocalist–but her voice is and then stunning and wounded that y'all hang on every discussion.
"You lot left me in a cage / My only defense was rage," she sings, her phonation curling into a slight snarl, mimicking the way heartbreak so oft hardens into anger.
11 of 55
"Stay With Me" by Sam Smith
Sam Smith has written enough of songs about the bluer side of romance, only their hit single "Stay With Me" goes to a different identify. The rails is somewhere between alcohol-fueled longing and sober honesty. Smith knows that the connection they share with the song'southward subject is nothing like true love, but still a favorable alternative to isolation.
"Deep downwardly I know this never works / But you tin lay with me so it doesn't hurt," they plead.
12 of 55
"Dreaming With a Broken Heart" by John Mayer
John Mayer'southward "Dreaming With a Broken Heart" morphs from a delicate piano ballad to chugging dejection rock jam, showcasing the breadth of Mayer'south talent that made him such a star throughout the '00s. His breathy, raspy voice is uniquely suited for songs like this: smooth and sultry, but emotional on the surface.
13 of 55
"Tears Dry on Their Ain" past Amy Winehouse
With the help of producer Salaam Remi, Amy Winehouse made "Tears Dry on Their Ain," a modernistic spin on the long lineage of Motown'due south deplorable love songs. It even flips Marvin Gaye and Tami Terrell'due south "Ain't No Mountain Loftier Plenty."
Winehouse's smoky, velvet-lined jazz order voice is put to bully employ here, restrained and conversational on the verses, gradually swelling in volume and tone on the hook to friction match the song's horns.
14 of 55
"Give My Love to Rose" by Johnny Cash
Johnny Greenbacks originally penned "Give My Honey to Rose" back in 1957, just it proved to be such a staple of his itemize that he rerecorded information technology multiple times, including for his 2002 recordAmerican IV: The Man Comes Around.
The rail is vintage Cash. Information technology'due south a masterclass in storytelling, as he stumbles upon a dying man by the railroad tracks who, in his final moments, tells Cash to go see his dear Rose and their son. He even expresses that he wants his wife to find a new person to love.
"Tell my Rose to effort to notice some other / 'Cause it ain't right that she should live lone," Cash sings.
15 of 55
"Skinny Beloved" by Bon Iver
There are approximately ane one thousand thousand covers of Bon Iver'due south "Skinny Love," simply none of them hit your gut quite like the original (Birdy'due south piano-powered take comes closest). The song, which helped turn Bon Iver into an indie phenomenon, is minimalist in its presentation, simply cinematic in emotional telescopic. Throughout, Vernon'southward voice croaks and breaks, every bit if he's struggling to get the words out.
"You're in a relationship because you lot need assistance, but that's not necessarily why youshould exist in a human relationship. And that'south skinny. It doesn't take weight," Bon Iver's Justin Vernon told Pitchfork virtually the song. "Skinny dear doesn't have a adventure because information technology'southward not nourished.
16 of 55
"Irreplaceable" by Beyoncé
Beyoncé set aside the fragile dearest songs with "Irreplaceable," a nautical chart-topping ode to knowing your worth and not letting anyone effort to lower it. The song plays as a prelude to some of her meatier work onBeyoncéandLemonade,and sees her sending an unfaithful former flame out the door expeditiously.
"Rollin' her 'circular in the motorcar that I bought y'all / Babe, drop them keys / Hurry up before your taxi leaves," Beyoncé warns.
17 of 55
"Drew Barrymore" by SZA
On "Drew Barrymore," SZA gets all psyched up to meet someone at a party, only to detect that they showed up with another girl. The song captures the whiplash of butterflies turning to stone in your stomach, as she sings achingly about how sometimes romance and disappointment can feel as linked as hangovers and alcohol.
"It'due south hard plenty you got to care for me like this / Alone enough to let you treat me similar this," SZA laments.
18 of 55
"Fix Yous" by Coldplay
Written by Chris Martin as a tribute to his and so-wife, Gwyneth Paltrow's belatedly father, "Fix Y'all" is one of Coldplay'due south almost affecting songs in a discography filled with enough tearjerkers to flood a stadium. Though the song primarily deals with decease and moving on from that kind of loss, its lyrics are easy to graft onto a romance.
nineteen of 55
"When I Was Your Man" past Bruno Mars
Few A-listers are as good at lost honey ballads as Bruno Mars, who has topped charts and made eyes water with songs like "Talking to the Moon," "Information technology Will Rain," and "When I Was Your Man." The latter is perhaps the all-time of the lot, inspired by '70s piano ballads like The Commodores' "Still," and featuring one of Mars' about searing hooks.
"I should have bought you flowers / And held your mitt / Should accept gave you all my hours / When I had the take a chance," he laments.
twenty of 55
"Play a Distressing Song" by The Supremes
Back in the early '60s, Diana Ross and The Supremes' iii other core vocalists were simply teenagers, simply they could capture the feeling of a lifetime's worth of heartbreak on records like "Play a Sad Song." Penned by Motown mastermind Drupe Gordy, the track has cinematic horns and strings that serve every bit a fitting backdrop for the intertwined harmonies of these preternaturally gifted young vocalists.
21 of 55
"Alive With the Glory of Beloved" by Say Anything
Say Annihilation'due south "Live With the Glory of Love" bristles not only with the urgency and desperation of young love, only considering of its spooky properties. The vocal is virtually the relationship betwixt singer Max Bemis' grandparents, who are Holocaust survivors, and their time hiding from the nazis.
22 of 55
"Un-Interruption My Heart" by Toni Braxton
The '90s were the golden era of slow jam ballads, and merely a few songs captured that crying-in-a-rainstorm melodrama as well every bit Toni Braxton's "United nations-Break My Heart."
The song clearly resonated with a lot of jilted listeners, as information technology was named one of the 20 biggestHot 100hits of all time in 2018.
23 of 55
"Your Hand Holding Mine" by Yellow Days
Yellow Days' George van den Broek was just 17 when he bankrupt through with "Your Hand Belongings Mine," but that'southward difficult to guess by the sound of his voice. Van den Broek has a commanding baritone, often likened to fellow alt outsider King Krule.
24 of 55
"Every Rose Has Its Thorn" by Poison
A quintessential '80s power carol, what Poison's "Every Rose Has Its Thorn" lacks in subtlety information technology more than makes up for with heart-on-the-sleeve artlessness. Long before his reality evidence renaissance, Bret Michaels was giving his all to this raw chart-topper.
25 of 55
"Wicked Games" by The Weeknd
Long before he was an A-lister large enough to headline the Super Bowl, The Weeknd was a mysterious figure in the nascent Toronto music scene, writing songs about excess and infidelity that sounded similar the backwash of a post-breakup bender.
His starting time major hit was "Wicked Games," a peppery rails about wounded people finding solace in each other and hurting their actual partners in the process. It'southward a powerful showcase for The Weeknd's crystalline tenor, which seems to float a yard feet above the instrumentals dirty guitar and bass.
26 of 55
"Somebody That I Used To Know" past Gotye ft. Kimbra
Most somber honey songs come from a singular perspective:I'khurt.Idon't beloved you anymore.Idon't want to be alone. What makes Gotye and Kimbra'south "Somebody That I Used to Know" so atypical and enduring is that it offers both perspectives on a failed relationship, shifting vantage points in the middle to remind the states that even though nosotros may demonize an ex, we're rarely complimentary of arraign.
And the song clearly resonated with fans, becoming one of the most successfulHot 100entries ever, going eight-times platinum in the U.S., and turning the previously unknown Gotye into a star.
27 of 55
"Giving Up" by Whitney
Sometimes relationships autumn autonomously all at in one case, but oftentimes they crumble in tiresome motility. A missed telephone telephone call here, a late nighttime out with no explanation there. This kind of disintegration is the field of study of Whitney's melancholic "Giving Upwards."
A divergence from the sunnier sound of their debut album, "Giving Upwards" notwithstanding exists in the aforementioned country-soul-indie rock universe, with twangy guitars, dusty piano, and singer Julien Ehrlich'due south signature reedy tenor.
28 of 55
"EARFQUAKE" by Tyler, the Creator ft. Playboi Carti
In a dissimilar world, "EARFQUAKE" would have been ane of 2019'southward inescapable popular smashes. Tyler, the Creator originally wrote it to give to Justin Bieber, later offering information technology to Rihanna, before ultimately claiming it for himself. Information technology's hard to picture the song with anyone else on lead vocals. When he pleads, "Don't leave, it'south my fault," the desperation is palpable.
29 of 55
"when the party's over" by Billie Eilish
Some sad love songs are 1000 and sweeping, merely Billie Eilish's "when the party's over" cuts in the complete other direction. With hundreds of layers of vocal harmonies and Eilish's trademark hushful tones, the song feels like it'due south being sung into your ear from two inches away.
In that location'southward an almost religious quality to the atomic number 82 tune and how it's accented by the harmonies, making "when the party's over" into a acuity for a human relationship stuck in the liminal space between friends and lovers.
xxx of 55
"Ex-Factor" by Lauryn Hill
This vocal brings us into the push-pull of a dysfunctional human relationship, ane that ofttimes gets correct up to the breaking point without ever crossing that terminal threshold.
If "Ex-Factor" sounds eerily familiar to younger listeners, it's because Drake sampled it for his huge 2018 hit, "Overnice For What."
Source: https://www.oprahdaily.com/entertainment/g35135240/sad-love-songs/
0 Response to "Broken Hearts Mend but Youre Not My Friend I Never Want to See You Again Lyrics"
Post a Comment